This is my favourite. How long were you given for this pose? One thing I notice about your studies is that you flesh out most of it really beautifully, then run out of time. I really suggest you block in the tones for the entire piece, then refine from there. That way, if you run out of time on the legs, you can still work with them after the model's moved. Gray paper, charcoal and white charcoal would save you time too, once you got the hang of it. Hope you don't mind the unsolicited critique. Keep it up.
1 comment:
This is my favourite. How long were you given for this pose? One thing I notice about your studies is that you flesh out most of it really beautifully, then run out of time. I really suggest you block in the tones for the entire piece, then refine from there. That way, if you run out of time on the legs, you can still work with them after the model's moved. Gray paper, charcoal and white charcoal would save you time too, once you got the hang of it. Hope you don't mind the unsolicited critique. Keep it up.
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